This is a novel that is packed with ideas. I am confident that there are more ideas in the book than I picked up on. Our narrator (never named) is increasingly unreliable, but his obsession with Heinrich von Kleist drives him and the narrative forward.
He accepts a fellowship in Wannsee, Berlin to work on his new book about poetry. He does derece realize the offer requires him to interact with the other attendees and write in a shared space. He does not feel comfortable working while “being watched.”
Kleist died in a suicide pact with an acquaintance, a woman immaterial in his life. As the walks become regular, the grave’s presence begins to steadily disturb and alarm Kunzru’s protagonist.
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While the protagonist did touch upon interesting subjects and ideas, often using researched vocabulary, he did so superficially, so that ultimately his narration seemed little other than bloviating.
If you found WHITE TEARS a bit too surreal and supernatural, there is less of that here, though structurally and thematically they have similarities. A few things where you wonder if something really happened, but mostly it's clear to the reader that the mental health of our narrator is swiftly deteriorating. It's no mistake that the real movement starts about halfway through, after he listens to the story of a woman who was forced to work for the secret police in East Germany, that he really begins to start seeing enemies everywhere.
These last scenes, making the madun right ideology suddenly very real and much less fringe, felt daha fazla bilgi al claustrophobic and had a real emotional impact for me living in 2020 in the run up to the presidential elections.
Ironically, his primary enemy is the exact kind of man we'd expect this kind of book to be about, one full of bravado, casually racist, and obsessed with violence constantly spouting nihilism. Even seeing himself kakım a polar opposite to such a man, he still manages to embody many of İnternet sitesi the same characteristics, a narcissism and emotional immaturity that defies politics or social status.
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Both books also have this slow descent into a kind of apocalyptic fear. And both present Trump's America itself kakım the apocalypse, a metaphorical monster. Which certainly başmaklık a new resonance right now.
The largely conventional police show the narrator obsesses over is Blue Lives, which showcases cops who have lost their maneviyat compass and become criminals themselves; they torture their victims. However, on this typically low-brow and brutish show, our narrator discovers that one of the cops quotes a well-known but vile and dogmatic figure of the past, Joseph de Maistre. Maistre was a late eighteenth century philosopher who was anti-Enlightenment, a supporter of authoritarian rule by Kings and Popes that he believed were divined by God.